In Lagos, where design often leans on convention, Anderson is rewriting the script with something far more daring: chaos. Not chaos in its destructive sense, but chaos as performance. He calls it the restless energy that keeps him building, designing, and creating across disciplines. For Anderson, architecture, interior design, and fashion aren’t separate stages,they are simply different theaters where his chaos gets to perform.
“Chaos isn’t destruction; it’s the mess where beauty is hiding. I dress it up until it dances in harmony,” he says. It is this philosophy that allows him to fluidly move from creating couture with his label Thitreez, to designing immersive interiors with S. EA Experience, to reimagining how Africans inhabit their spaces.
Anderson’s story begins with restlessness. “I’m basically that kid who couldn’t sit still in class and never grew out of it. Curiosity, not control, has always been my compass.” That refusal to settle, to box himself in, is what has transformed his career into something resembling a symphony rather than a single note. For him, the balance between chaos and structure is not opposition but collaboration. “When you combine chaos, freedom, and structure, you don’t just get design,you get a manifestation constantly auditioning for life’s next role.”
This is why Anderson is difficult to label. He is not only an interior designer, nor just an architect, nor merely a fashion designer. He is all three, and more. His designs are survival, rebellion, and storytelling woven together. “Survival makes you rebel, rebellion makes you fearless, and storytelling makes you human,” he explains. His work embodies this trinity: raw enough to provoke, fearless enough to stand apart, and layered enough to communicate something deeper.
Nowhere is this more evident than in his approach to African spaces. “Spaces in Africa have always been sacred, from the family courtyard to the village square. It’s where memory is built and where identity is performed,” he says. With S. EA Experience, Anderson is bridging heritage and modernity, translating ancestral traditions into living spaces that don’t just serve function but become characters in people’s stories.
Then there is Thitreez, his fashion label, which operates as both rebellion and narrative. To him, fashion is not decorative; it is confrontational. It is where culture is cut, sewn, and stitched into visibility. “Thitreez is not fashion, it’s Africa’s chaos stitched into memory, rebellion woven into style, and stories tailored for tomorrow.” With each collection, Anderson takes the energy of Lagos and translates it into garments that feel less like outfits and more like manifestos.
His design ethos is not only about aesthetics but also about presence. A chair made of scrap wood, in his hands, becomes an act of protest; a hotel interior becomes a new African experience; a jacket becomes a story. “I can make a chair out of scrap wood, turn it into an act of protest, and let it narrate the story of a community. That’s not just design,that’s magic with an attitude.”
Anderson is not shy about his ambition: he wants to make Africa dream louder. He is part of a generation of creatives who see design not as service but as statement, not as ornament but as architecture of identity. “I’m just one wild soul who turned chaos into culture and made Africa dream louder through divine redirection,” he reflects.
In a world where design often seeks perfection, Anderson finds brilliance in disorder. His gift is not eliminating chaos but conducting it; turning the noise, contradictions, and restlessness into symphonies of style, space, and sustainability. For Africa and beyond, his work is both manifesto and mirror: a reminder that culture is not carved in stone but constantly in motion, and that the future will not be neatly arranged,it will be beautifully, intentionally chaotic.
